Branding Photoshoots w/ Marisa Burgett

Hello, my friend. Welcome back to the Modern Hairstylist Podcast. Today, I have a very, very special guest, because this freaking person was one of the f- the first persons who ever worked for me, like, ever. Really?

Which is insane. Yes. Isn't that wild? Wow.

It's been a wild ride. Like, I was just thinking about how far we've come from when we first, like, known each other on the Clubhouse days to where we're at now. Dude. And it's really impressive.

It is insane that both of us are out here doing the damn thing, and it's been so cool to see how you have progressed in your career and what you've been able to do, Marissa. But, um, everybody, this is Marissa Burget. Marissa Burget, would you mind, please, uh, introducing yourself to the people, to the listeners of the Modern Hairstylist Podcast? Hi, people.

I am the beauty and brains behind MB Creative Agency, um, where we work with beauty-based brands, and we build brands that turn heads. We do anything from brand, website, photo shoot directing, um, social media stuff as well. And I also have a second company where I educate other designers how to do what I do, um, and that's called the Brief Collective. It's really, really fun.

I'm happy to- Badass. I love it. And here's the thing about you, Marissa, is that you are a branding photo shoot queen, bitch. Your branding photo shoots are always so beautiful and so gorgeous, and- .

not only have you done a really great job of implementing them within your own business and your own personal brand, but also in helping tons of other people in making it, uh, uh, successful for their brands as well too, right? Yup. And, you know, you do the branding, but you also need to make sure that besides, like, the graphic visuals, right, and, like, the colors and all the things that the personal... the people behind that brand also, um, align with those visuals that you create for them.

And so, um, I'm really excited because branding photo shoots is something that I think hair stylists, um, get really overwhelmed by sometimes. I think people get a little bit nervous about the investment and they wanna make the most out of it. I think just being in front of a camera feels awkward and weird. There's a lot of imposter syndrome that comes into play.

Um, and then also, of course, just the logistics as well. People wanna get their money's worth. People wanna have a good branding photo shoot if they're gonna be doing it, and they wanna know, like, what the best practices are, etcetera, etcetera. So, um, I would love to get into some of that with you today.

But first off, for most, I would like to ask you, why are branding photo shoots important at all for small business owners, particularly for personal brands such as hair stylists or even as a salon? Well, I think first and foremost is a photo shoot is an opportunity to, like, embody what you do. Like, you are doing what you do every single day behind the chair, but when do you get the opportunity to, like, embody, like, what you stand for, and, and all of that stuff that's, like, behind the scenes? Right.

It's kind of an opportunity to, like, communicate what the words can't. Like, in the beauty industry, clients don't just book based on your skills. That's, like, kind of the least important thing. They book if they like you, if they like the experience, and, like, they know they're gonna get good hair, but are they gonna like you while they're in the chair?

And a s- strong branding photo shoot, like, communicates those things. It communicates that personality, it builds that trust and that credibility, so that, like, "Oh yeah, I feel more confident investing in you, i- in your services, and having really good hair by you, because you visually align with the experience I'm looking for." Um, it also creates, like, that connection point, so it's not just about showing your really pretty work, it's about showing you behind the chair. Right.

Um, e- I think it's, like, capturing your personality and your process and what the vibes are, and so that... I think the other really great thing is, like, if I could see myself in a photo shoot, I'm like, "Oh, she's the one for me." So I'm not just looking at you, I'm looking at, like, who you're involving in the photo shoot too. Right.

Um, and it kinda sets the tone for your whole brand. Like, I don't know, every hair stylist has that, like, scissors and hairspray photo- Mm-hmm. that they, like, hold up to the camera , but, like, what can we do that, like, makes you different and makes you stand out? And I think, like, that photo shoot tells the visual story for you.

Yeah, I absolutely love that, and I think just, like, it being... 'Cause somebody could argue, like, okay, like, like, maybe, like, I can take all these pictures myself, like, with my iPhone. Yeah. And I would argue that, like, that is true, particularly, like- Yeah.

if you're in a circumstance, like, where you can't afford to hire a photographer to do this for you, like, then you could totally take these pictures yourself, right? And there's ways to, like, make it look professional, and you can do it with a great lighting and with a good, uh, updated phone and the amazing cameras that they have on there. Yeah . But, you know, just, just the general concept of having a professional picture or a professional-looking picture, one that looks like you invested in it, like, one that is, like, really just the quality speaks to you having a highbrow brand or a brand that is worth spending money on.

I think that that is really, on top of everything that you said, really important. Like, if you wanna charge a high price, then you need to prove to people on, in your marketing funnel that, you know, you have invested a lot into this and that you care about what you're doing, and that this is somebody, like you said, that you can trust because you know that they give a shit about what they're doing. And I think literally just by inherently having high-quality photos, you can do that. So, I love everything that you shared, and I think that that's, um, an important part of it as well too.

Would you agree? Uh, hell yeah. And I do think that you should take your own photos, take your own content, and, like, this is your, your TV show. Show up on your channel, you know?

Right. Like, all of those things are really important to show your personality and what you said. Invest. Why are you gonna expect somebody else to invest in you if you don't first invest in yourself?

Mm-hmm. And, um, I think, like, th- they're fun. They're so much fun. If you get past the stress of what to wear- ...

and you get past, like,... you, you just trust the process and, like, get a really good creative team on board. They are so much fun, and it actually makes, like, capturing the content enjoyable, because I- Right. know that sometimes, like, that's the last thing we wanna do.

Totally, yeah. I love that perspective. Like, making it, uh, it doesn't have to be this, like, scary, nerve-wracking thing. It can, like, be really fun if you make it fun, and if you come prepared and you ha- are surrounded by the right people too.

I think that's really important. I d- I think definitely, like, choosing a photographer that you feel comfortable with is massively important. Would you agree? I think that that- It's- ...

is, like, a big factor of, like, making it fun instead of nerve-wracking. I always have a hype person come with me, like, whether it's my best friend or- Mm-hmm. somebody el- like, I have that hype person come, because I'm like, "You make me feel comfortable in any situation, so come with me." I love that.

So cool. Yeah. Okay, so you talked a little bit about, um, you know, every hairstylist has the same old, like, scissors and blow dryer picture, right? Mm-hmm, yeah.

I agree, you know? And, you know, I think that those visuals are, are, like, a good essential to have. Like, I don't think there's anything wrong with them per se. But if we're talking about, like, really setting yourself apart, like you shared the importance of, right?

Like, what are some ways that hairstylists can start to think about how to differentiate themselves and get a little bit creative and have unique, um, photos and, and images when they're planning for these branding photo shoots? Okay, so you and I have this in common, but we love experience. So first and foremost, you need to showcase your experience. Mm-hmm.

Whatever that looks like. I want to see if you're gonna do a pre-ba- pre-appointment form, then I wanna see a photo of that on a phone. If you're gonna serve the, like, lovely drinks that you have on a golden tray, I wanna see that. I, I need to, like, see the visuals.

So those are, like, the literal parts of your experience. But also, like, telling your story through the details, like, what sets you apart? If you're all about luxury, then we need to show those little luxurious things that you have. If you are more alternative and everybody on your team has, like, really colorful hair and you're trying to attract more, like, colorful clients, then we need to highlight that in your pictures.

Um, and if you are, like, fun, have a lot of energy, then you need to lean into, like, the more bold styling moments and, like, the joyful, candid client interactions in your photo shoot. And I think, like, I know some of my clients are, like, they don't wanna be in the photos. They're like, "No, just get the clients." And I'm like, "No.

This also needs to really be about you." Let's include you and, like, you fully embody being who you are, um, because clients, they want to book the people, not just the businesses. So don't just show the back of your client's head. Be in the photo with them, like, laughing, styling.

Turn on some music and, like, let's get the, like, like, the dance party going if that's your guys' vibe. I love that. And I think, like, the last point I'll make is, like, focusing on the emotion, like how you want y- the people to feel while they're there, not just, like, making the perfect flat lay of- Mm-hmm. your tools.

Like, make it a fun experience, I would say. Yeah. L- and let's talk about, I think you brought this up a couple times, just generally having a client there too. I think a lot- Mm-hmm.

of people, when they think about branding photo shoots, they think it's just gonna be them, right? Or- Mm-hmm. that's a lot of the times what we see. But them actually working with a client, I always say, like, is first and foremost a priority with m- when I talk to my students about branding and photo shoots, is, like, you doing a client is so valuable, and you brought up a point, like the candid shots, right?

Like- Mm-hmm. it's so great if you could have, like, a client in the chair and you are actually doing the service on them be- and, like, just going about it as you normally would, right? With, of course, some posed pictures and some encouragement and, and intention. But, like, if you go through that, out that entire appointment and you're just laughing with your client or your friend that you know and love, like, you're gonna get those natural, beautiful shots, and you don't really have to think about it too much or be nervous about being in front of the camera.

You just focus on giving, doing what you normally do and do best every day. Would you agree? Yeah. You wanna capture the moments that, like, look and feel real, like it's- Mm-hmm.

it's, the feeling has to be there. Even if you are nervous, like, all of that's gonna go away in the first 10 minutes. Like, if- Right. like, you know the things that make you most fun.

What do you do on a self-care night? Like, what music is playing in the background? Like, think of those things that, like, make you you and bring that to the photo shoot day. Yeah, I love that.

What do you think are some, uh, common misconceptions or just, like, common themes that you come up with hairstylists or personal brands or small businesses that you work with with branding photo shoots? Like, the biggest worries or the biggest, I don't know, missteps? It's all about the tools is the first one. Mm-hmm.

Like, back to that same photo, upholding the scissor thumb, like, posing the hair dryer and the shampoo bottle. Yes, though, you should have some of those, but, like, I don't wanna spend a lot of time on that, on that st- Mm-hmm. rethinking this is branding, isn't about the tools that you have. It's about the transformation- Mm-hmm.

so the results, the experience, and not just the process. That, that's the part that needs to be photographed and highlighted, I would say. Hmm, gotcha. And then, um, "I have to match my brand colors exactly,"- Mm-hmm.

is what I've had a client say to me this past year. And no, you totally don't have t- like, yes, wear your brand colors if you want to, but they don't, it doesn't have to be something that, like, to the point that stresses you out. Like, staying on brand is, is about the vibe more than the visuals, I would say. So wear something that feels like you while complementing your brand's aesthetic.

'Cause if you aren't dressed in a comfortable way, then you're not gonna be confident, and I'm gonna see it all over your face in every photo. Mm-hmm. Um, and then, like, I think the third one would be it needs to be over structured or perfect-... and we're crea- we're creative, so we like everything we create to be perfect, and I totally get that.

But the candid moments are the best photos. Like, that's the authentic interactions that are most powerful and gonna capture, like, your personality, like, just everything that you embody and bring to the table as a hair stylist. Yeah, I really enjoy that, and I, I think, you know, going with that, like, it not having to be so structured too. Like, if you are working with people, particularly a photographer that you trust and does good work and, like, does this type of stuff often, um, you know, give some responsibility to the photographer as well too.

Or I should also say it in a different way, like, allow the photographer to do their work, because a lot of them are very creative, uh, very experienced in doing these types of things. And I've found that, like, my, like, some of my best photos are my photographers, like, telling me- Yeah. where to go and what to do. Like, I will come with like what I generally want.

I will come with general good ideas, and then I'll collaborate with the photographer, and they have their own ideas, and then we mix and match them together. And like, I think, like, having s- people around you, like you said earlier, who you can trust to also, you know, do some of the work, so that way you don't have to feel like everything is absolutely perfectly structured and, and you have to have a step-by-step plan, you know, I think is also something important to lean into. And I think, like, especially people who own their own businesses are so in the mood for being that boss, and like, "Well, I know the plan, and I have the mood boards," and all this stuff. You're so used to being in the driver's seat that- Mm-hmm.

you need to give it up, and so that's why you need a photo shoot, because you do need to give it up and you need to be seeing how somebody else sees you- Mm-hmm. outh- outside. I think that is, like, a really key piece of this, because yes, we all have amazing computers in our pockets that can capture anything and everything, but this is, like, artful. This is, like, purposeful, intentional for your business.

So, it's a little bit deeper than just capturing something really quick. Yeah, that is so beautiful. Let's say that somebody, like, wanted to, you know, bring something different to the table, um, whether that be, like, with their client, um, or if they were just getting solo shots, right? Mm-hmm.

Like, uh, wh- what do you think that they should do, like, where should they start to come up with some of those ideas for, like, maybe, like, props they should bring or ideas of shots they could get? Um, ev- I do, um, photography direction, and, um, I direct photo shoots. And so, one of the things I do with every project is I give a wild card mood board, and I'm like, "This is just a crazy idea. If you wanna do it, cool.

If you don't, cool." Um, but just to push the boundaries. Um, and I had this one client last year, and she was really into outdoorsy stuff, and I was like, "What if we brought your salon chair outside?" Oh, so good, Marissa.

I was like, "What if we also brought your, like, her little rolly table?" And we, like, did the client, we did most of the photo shoot outside. And it was so much fun, and she was like, "I never ever would have thought of that." I was like, "But it's so on brand for you."

And I was really thankful that she just trusted me with the process. So I think, like, just throw, like, don't think about how much money it's gonna cost you. Don't think about all the problems. Just like throw all that out the window for a second and just let yourself dream.

Mm-hmm. You've already dreamed up this whole business. You dreamed up these amazing clients. Like, every day you're dreaming while you're, like, doing the hair, and like, making this woman feel beautiful who's in your chair, so dream something up for yourself too.

Like, just let your imagination run wild, I would say. I love that so much, and I really enjoy, like, I feel like, you know, I, like I said earlier, like, a lot of people can get imposter syndrome, right? Like, like, "Who am I to get these, like, professional pictures of myself," you know? When we normally only see, like, celebrities or whatever it may be, like, have these professional, and especially, like, more creative and cool pictures such as, like, your salon chair being outside, like, in the woods, right?

Like, I feel, I feel like it's so, like, this is, like, if you're listening to this, my friend, like, listening to Marissa just say, like, "Give yourself permission to just dream and, like, to live your fantasy for once," like, because you give that fantasy to your clients every single day. It's so cool to hear for people, I would assume. I would assume. Like, I, I, like, the biggest thing is look at it as an opportunity, not a task that you have to- Mm-hmm.

like, list. So because, uh, it's intentional, it's fun, and it's a chance for you to, like, visually, like, tell a story. And- Right. Yeah, I don't know.

I think, like, when you need to start a photo shoot, like, "I don't know where to start," um, Pinterest is always where I start. Mm-hmm. Um, and you just gotta pin those things, and like, don't look at your industry for inspiration. Mm-hmm.

Look inside of it, um, because there's, um, a lot of cooler stuff. You have to look at things that feel like you. I love that. Yeah, for me, I just had my most successful branding photo shoot I've ever had, and I have had a lot.

Like, I have done photo shoots forever, and I've done a lot of them. And I just had my most successful one, and I found that I just... 'Cause what I love about everything you're saying, Marissa, r- right now in the way that you approach your clients is that, you bring, you bring, like, not overthinking it and being yourself but still also being intentional at the same time. Yeah.

You know? Like, that is such a beautiful, beautiful balance, and I feel like that's kind of what I embodied this last branding photo shoot. 'Cause normally I'm so overthinking every single little thing, and I'm thinking like, "Okay, well, I need a picture for this campaign that I have coming up." Yeah.

"And I need a picture for this post that I'm gonna be doing." But this time, I did what you maybe did with your client, and I was like, "I'm gonna think about, like, what are some of the things that bring me a lot of joy in my life, or the hobbies that consant- that I constantly, like, are a part of?" So, I, like, travel a shit ton. I really enjoy music and I, like, go out a lot.

And so, I, like, brought a speaker, and I had, like, a whole, like, party outfit on, and I had, like, sparkly pants and my, like, tank top said, like, "365 Party Girl" 'cause I'm a big Charli XCX fan. And like, that's her whole thing. And like, I did a whole photo shoot with, like, a suitcase, and I looked like really on the go, and I had, like, sassy pictures of, like, me being on a phone, like, rolling my suitcase around with my sunglasses on, you know? I really leaned into, like, who I was, and I loved what you said earlier, like, like, how other people see you and perceive you as well, because that's just what you're normally doing on like a day-to-day or that's your hobby.

Like, I really leaned into that, and I fucking love those pictures. And they're- Mm-hmm. eye-catching, because it's not the same old shit. It's like there's interesting props and it's interesting things, and people who know me absolutely love it, and people who don't know me are starting to get introduced to me through those visuals.

Yep. And I think that's so important in a client-business relationship, you know?And I think, like, every photo shoot is kind of an opportunity to reinvent yourself. Hmm.

Um, I don't know, maybe... We, like, sometimes we'll go out and just put wigs on, because we're like, "Tonight, I'm Susie." Just, you just get weird. I don't know.

Yes. But, like, it's an opportunity to reinvent yourself of, like, "Who do I want to be known? 'Cause I'm probably gonna use these photo shoots, this, these photos for the next six months." Right.

"So, like, how do I want to be known in these next six months?" Yeah. Um, yeah. What energy?

What did you do to prep for that photo shoot? Because I'm so curious. They, they're incredible. I'm so happy you shared the gallery with me.

Oh my God. So- Thank you so much. Girl, I literally was like, "I'm gonna be intentional of, like, being myself in this photo shoot." Yes.

And so I actually just, like s- like, opened up my notes, uh, on my phone, and I just wrote out, like, what are all my hobbies and, like, what are the things that I like to do? Or, like, what are some, like, common hunter themes? Like things that, like- Yeah. if, if you ask my friends about me, like, what would they say about me, right?

Mm-hmm. And that's k- and then I just kind of, like, went from there, as far, I, like, started with the outfits and then I was like, um, there was, like, some props that I brought in, so, like, another thing is, like, I'm really into tech, and obviously I teach automation and things like that, and, um, I brought out, like, my, all of, like, my, we all have, like, archived devices, don't we? Like, in our, like, drawers and stuff like that- Yeah. in our houses?

So, like, we have our, like, old, old, old, like, smashed iPhone that's, like, disgusting and terrible that doesn't work anymore. I found my fucking Bluetooth, or sorry, what is it called? BlackBerry. I found my BlackBerry phone.

That's what it's called, right? Mm-hmm. Bitch, I found my BlackBerry phone from when I was, like, in middle school, okay? And I was like, "This would be so much fun to, like, have as a part of the shoot."

So I, like, had a bunch of, like, my devices and things like that around me, and, like, just, like- Uh-huh. all the things that define me, like, I did- Mm-hmm. in this photo shoot, and it just was so much fun. Like, I absolutely loved doing it, and it was so cool to get to see it, and I'm really excited to, like, share them and use them in so many different ways, you know?

And when you saw the gallery, did you get, like, hella inspired for even more stuff to create? Yes. Uh-huh. Yes.

Literally, yes. I was like, "Oh my God," like, "I can, like, expand on some of these, these thi- these concepts that I did now," or I thought about, like, other parts of my life that I didn't include, and I saw how well including parts of my life in this worked, and so I want to do that again with other aspects, like skiing. Like, I'm a big skier, so I wanna, like, I don't know, do something with my skis or something like that. So, um, so yeah.

Ooh. I love skiing. I just went and did it earlier this week. Did you really?

Yeah. How'd it go? No. Still good, and we're gonna take our kids soon and, like, teach them, and they're three, and I'm so fucking excited about that.

Oh my God. I'm literally obsessed with that for you. We'll have to go seeing sometime. Yeah.

We'll bring the kids to the slopes. Um- You said, uh, you said that you'll most likely be using these photos for the next six months. So, a lot of the times people will ask, like, "How often should I be updating these pictures?" Mm-hmm.

Um, w- I have my own thoughts, but I wanna know what yours are. I think it just kinda depends on you. If that is a really big energy expenditure and you're really stressed the hell out by photo shoots, there's a way that you can do a photo shoot where you can, like, have a much longer photo shoot and get your photos for the entire year. Right.

If you're that anal, like type A, those are my favorite type of people, um, we can, like, do a, a four-hour photo shoot and you're gonna be set for the year. But there's other people who are like, "That's insane, I'm not doing that," and they wanna be more free-flowy, and so I think you should be getting a photo shoot once a quarter. Um, and I, that's aggressive for some people, but we are in such a digital online presence age that, like, you need those visuals, and like, we're in a visual industry, so it's kind of needed, I would say. Gotcha.

I love that, and, uh, just to, like, share with people, uh, a lot of the times photographers, like, especially branding photo shoot photographers, um, they'll have, like, packages- Mm-hmm. where it's like they can do, you can, like, sign up for, like, a quarterly situation and it'd be, like, a lot less expensive than if it was, like, you know, you getting, uh, uh, a, a, a, the main, like, big photo shoot every quarter. Instead it's, like, normally, like, a mini package. Have you found, like, the same things with the photographers that you've worked with?

Yeah. Wow. And I, like, have one that I love so, so much, and we fly her to wherever we're going, because she is so good and makes us all feel so comfortable. So once you find that, that photographer that's, like, your worst, then talk to them about it, and they'll probably make you a custom package, so you'll be- Fat ass.

suing them. Yeah. Yeah, and I love that you just said that too. Like, some things can be negotiable, you know?

Mm-hmm. I think, like, the majority of photographers out there are wedding photographers, because, like, that's where a lot of the money is, um, and so, like, if you have, like, a photographer connection that you, like, I don't know, that's a wedding photographer majoritively, and they don't even have a branding photo shoot package, like, a lot of the times I feel like those people are just, like, making up prices on the go, you know? Like- Yeah. they don't even ha- so, like, don't be afraid to negotiate.

Don't be afraid to, like, ask people, like, um, you know, "Would you be down to do this, like, quarterly with me? And we could do mini photo shoots and then, uh, this would be my budget for that," or whatever it might be. And then even for me, I know I had a really, really successful partnership with my photographer, um, back in the day, uh, where I would do her hair, she would do my, my photo shoots, and we were both very happy and we felt like we had a very even exchange of value, and it was a beautiful symbiotic partnership and relationship- ... when it came to those photos.

It was awesome. So if you're sitting here and you're saying like, "Oh, I don't think I could afford that right now," you know, don't be afraid to, like, put in some work for negotiation and, like, see what your options are out there, I feel. Yes. Um, okay, I just thought of something.

I- Yes. that is so important to get a photographer in your back pocket, because you, even bring br- bring your photographer to, like, your sip and shop. So bring your- Mm-hmm. like, anything like that, because it helps.

It's really amazing. Um, but I thought of questions to ask yourself before a photo shoot. Mm-hmm. What energy do I want to bring to the shoot?

How do I want people to feel when they see these photos? What moments are going to make my dream client think, like, "This is where I belong." Like, "I found my people."How can I show my process and experience and not just the results?

Mm. When I bring in more fun, intentionality, authenticity to my photo shoot, how can I, like, embody it? And then, like, the other thing that's so important is the, what you do the day before the photo shoot. Like, you need to, like, if you're a massage girlie or, like, you like those sleeping masks or whatever, like, you need to be gentle with yourself the day before a photo shoot, because all of that energy is what you're gonna bring in the next day when you're in front of the camera.

So pay attention to that too. Period. I love that. I'm gonna ask you one last question.

How, how can you make sure that the photographer that you're gonna work with is gonna be the right one? Ooh. I schedule a video call, or in person. You have to see, like, "Hey, this is the idea of what I'm bringing to the table."

And I, I, photographers love when you do this actually, because photographers, uh, uh, most of the time, photographers are not, like, involved in the ideation. They're just capturing. They show up and they have to do what they do, like, right then. So- With whatever they have.

Yes. And so, you have to, like, bring that plan, kind of, that vision to the table, and they love when people have their own vision. Mm-hmm. And so I think, like, make sure that they're down with your vision and what they think about it.

See if they add anything to it. And I would say, if somebody added to my vision, that's how I know that they were the right one for me. Gotcha. And, you know, I mean, on the flip side of that, right, like, maybe there, maybe you aren't the type of person who is good or even wants to have to do with the vision at all.

Right. Right? And so, then you find a photographer who does wanna be a part of the vision, who has, like, the creative drive, right? Like, I feel like there could be, like, that option as well.

Or, you find somebody like me, who- Period. is a, um, a brand director who can help you, like, direct that vision. Exactly. Very much so.

Yeah. And so, if somebody wanted to hire you as their brand director for, to do their branding for them, Marissa, where could they find you? You can find me on Instagram, MarissaBurgett_Creative or MarissaBurgett.com.

Okay. Badass. We'll, 100% leave those links in the show notes, so everybody go ahead and check out Marissa. She's just great to follow in general, um, very much so, and I sign off on everything Marissa has done.

Marissa has done great work for me and my team, and does great work for her clients that she works with, and she's just such a bubbly, smart, and kind, safe person to work with, and I very much enjoy her. So- Thanks, Hunter. Full sends. Full sends for Marissa.

Um, uh, uh, do you have any, any last final words for the people listening to this today? Um, a branding photo shoot is an opportunity for you to embody your brand and invite your clients to do the same. It's not just about the lovely stuff you do behind the chair, but it's about how you do it, and the way you make people feel. So, yeah, when you approach your branding photo shoot with that mindset, it just stops being about just the photos, and it becomes more about, like, the story behind it.

And so, yeah, I hope, I can't wait to see all of your guys' Instagram feeds, like, popping off. Period. I love it. All right, thank you so much my friend.

I appreciate your time here today. Bye. All right. Bye, friend.

Thank you so much for tuning into the Modern Hairstylist podcast. Peace out, girl scout. Bye-bye.

End of transcript. © 2025 Hunter Donia LLC.